New York: Farrar, Straus and Giroux, 1999. First Edition. First Printing. Slim octavo (20.75cm); variant in bright orange printed card wrappers; [x],[3],4-55,[3]pp. Signed by the author on the title page. A Fine copy. A long poem by the Pulitzer Prize-winning poet, the narrative centered around a group of girls known..... More

Cambridge: Harvard University Press, 2000. First Edition. First Printing. Octavo (19.75cm); brown paper-covered boards and dull black cloth backstrip, with titles stamped in silver on spine and in a bolder, shinier black on backstrip at front cover; dustjacket; [vi],[2],3-167,[1]pp. Signed by the author in black pen on the title page..... More

New York: Farrar, Straus and Giroux, 1998. First Edition. First Printing. Octavo (23.5cm); beige paper-covered boards, with titling and decorations stamped in black on spine and front cover; dustjacket; [xii],[2],3-79,[5]pp. Signed by the author on the title page. Fine in a Fine, unclipped dustjacket (priced $20.00). A collection of 50..... More

Los Angeles: Black Sparrow Press, 1975. First Edition. Deluxe issue of Ashbery's 1975 experimental book-length poem, often overlooked in favor of his critically-acclaimed Self-Portrait in a Convex Mirror published the same year. "In fact, The Vermont Notebook has often been elided entirely from the Ashbery canon: excluded from Ashbery's bibliography..... More

Los Angeles: Zero Press, 1980. First Edition. First printing. Octavo (21.75cm); pictorial card wrappers; 194,[22]pp; illus. Some very light surface wear, else Near Fine. A collection of stories, poems, and reviews, with contributions from Paul Bowles, John Ashbery, Rainer Maria Rilke, James Tate, Lewis Baltz, et al. More